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Eight Polish Design Studios Representing the Best of Poland’s Design Scene

In many ways a modern state, Poland is both forward-looking and steeped in tradition. The country is investing more and more in design, and Poland’s talented crop of designers are working diligently to present the country in a new and invigorating light. With designs that traverse past and present, capturing Poland’s heritage and showcasing its innovation, the country’s design scene is part of a stirring cultural revolution.

These eight Polish design studios represent the best of the country’s design scene –


Engaging, eclectic and energetic, Mamastudio is a Warsaw-based design collective set up by Magda Ponagajbo and Michał Pawlik in 2001. Working across a range of mediums—creating identities, packaging, interiors and logos—Mamastudio adopts a novel, colourful and storytelling approach to design, accomplishing its work with much artistry, thought and vision. With a handsome portfolio, Mamastudio is a modern-day creative agency fuelled by hard-won knowledge, great finesse and abundant passion.

One particularly striking project by Mamastudio is Autor Rooms, a four-bedroom boutique hotel located in a historic townhouse in the heart of Warsaw.

Autor Rooms boutique Hotel. Created and owned by Mamastudio.
Room 1410 in Autor Rooms.
Room 1777 in Autor Rooms.
Various elements of the Autor Rooms identity created by Mamastudio.

Photos courtesy of Mamastudio.

Maria Jeglinska

A rising Polish design star, Maria Jeglinska established her Office for Design & Research in 2010. With a focus on industrial design concepts and research-based innovations, Jeglinska’s works are both strong and experimental. Her ‘Little Black Armchair’ is especially intriguing.

Circles outdoor pedestal table comprises a black lacquered steel base and enamel glass surface. Designed by Maria Jeglinska for Ligne Roset. Photo © Ligne Roset.
Made of steel tubes, the Little Black Armchair refers to a period in Warsaw’s history (1955-1965) when there was a renaissance in cafe culture. ‘Mała czarna’ is another term for coffee and translates literally as ‘the little black’—hence the name of this winsome chair. Photo via Culture.Pl.
Little Black Armchair. Photo via Culture.Pl.
A selection of Maria Jeglinska’s designs on display at Design Parade 12 in Hyères, France. Photo via Wallpaper*.

Beza Projekt

Described as an ‘avant-garde design studio’, Beza Projekt was created by Anna Łoskiewicz-Zakrzewska and Zofia Strumiłło-Sukiennik. Across its varied projects—including furniture, objects and interiors—Beza Projekt has a curious, postmodern bent. Many items play with notions of imperfection, formality and space, and there is a real sense of energy surrounding Beza Projekt’s work.

‘Reflection of a gesture’ mirror. Designed by Anna Łoskiewicz-Zakrzewska and Zofia Strumiłło-Sukiennik.
‘Broken order’ candleholder. Designed by Anna Łoskiewicz-Zakrzewska and Zofia Strumiłło-Sukiennik.
‘Fused glass story 2’ cabinet. Designed by Anna Łoskiewicz-Zakrzewska and Zofia Strumiłło-Sukiennik.

Photos courtesy of Beza Projekt.


Reinvigorating the tradition of cement tile production, Purpura handcrafts every individual tile (made from Portland cement, Italian marble and sand), and adds modern design and colour. Purpura’s tiles are natural, unique and brimming with character—something that is often lacking in today’s mass tile production techniques.

Purpura tile projects. Photos courtesy of Purpura.


Comforty was established in 2000 in Nowe Skalmierzyce, Greater Poland (a region of west-central Poland). With its long history of furniture-making, the region was the perfect base for a new company inspired by local craftsmanship and innovation. Working with a roster of Polish and international designers, Comforty has flourished in the past number of years. In every part of its design portfolio, this original Polish brand emphasises quality, function and a timeless aesthetic.

Genotyp, a light made of Corian, was designed by Tomek Rygalik of Studio Rygalik.
Modern and oh-so handsome, Floating was designed by Philippe Nigro.
This blocky, contemporary daybed was designed by Tomek Rygalik.
The cylindrical Do, Ro and Ta tables were designed by Alessandro Mendini.

All photos courtesy of Comforty.

Paged Collection

Utilising a careful mix of new technology and traditional craftsmanship, Paged Collection is a contemporary furniture brand with an eye on the contract market. Working mainly with bentwood and moulded plywood, Paged Collection has curated an enticing and exciting range of furniture designs.

The Benko chair was designed by Tomek Rygalik, and its profile reflects the famous Thonet chair typology (Thonet originally produced some of its chairs in Poland and today maintains production in the country). Photo by Ernest Winczyk.
Benko. Photo by Ernest Winczyk.
Designed by Agnieszka Pikus, Evo is another contemporary interpretation of the iconic Thonet chair.
Fum is a range of club-style, upholstered chairs, designed by Tomek Rygalik. Photo by Ernest Winczyk.

Photos coutesy of Paged Collection.

366 Concept

366 Concept is named after a famous mid-century Polish chair design: the 366 easy chair. This classic seat was created in 1962 by Józef Chierowski—in production for more than twenty years, over 500,000 chairs were sold throughout the former Eastern Bloc. 366 Concept has now faithfully returned the 366 easy chair to the market; completely true to the original design, it is handmade in Poland. The company is also reviving other Polish design classics, including the Bunny chair and Fox armchair.

366 easy chair.
366 easy chair with two-seater edition.
366 easy chair in velvet upholstery
366 easy chair in velvet upholstery.

Photos © 366 Concept.

Tartaruga Studio

Tartaruga is a weaving studio that was born from a passion shared by Wiktoria Nowak and Jadzia Lenart. Making contemporary kilims and wall hangings by hand, Tartaruga practices slow, organic design.

Waves handwoven kilim.
Tsiishch’ili and Toh Yah wall hangings.

Photos © Tartaruga.

Gerard McGuickin
Gerard is a writer, a thinker and a modern-day gentleman living in a modish neighbourhood in south Belfast. Walnut Grey Design is his popular manifesto of good design. From Gerard’s discerning perspective, design should be aesthetic, smart, honest and gratifying. Moreover, it must be for keeps. A self-confessed urbanite, Gerard is enthralled b[...]

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